Production and audiovisual professions: carrying out film projects

What are the trades of production? In the audiovisual sector, whether it be film or television, production and producer are essential for the creation and evolution of a project.

Article map Production

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  • trades: producer’s missions The versatility of
  • the audiovisual producer
    • Looking for the right scenario, making contact
  • The producer and the production house
  • Producer: a teamwork
  • What studies for production trades?
    • Public or private paths
  • Salary and opportunities for production trades

Production trades: the missions of the producer

Every director knows it well, you have to find a producer in order to give better chances to a film or any audiovisual project. We talk to you about the job Producer: what training should be taken in order to become a film or television producer , and what skills are required to succeed in this profession… All your answers are in this article.

The producer’s missions are varied, due to the versatility involved in the production trades. A producer is first and foremost required to manage projects from their draft to their finalization. In the audiovisual and performing arts sector, subsidies also take a significant part of the producer’s work. Without the producer, many projects could not be born.

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On some levels, the producer or production manager on a film project can be compared to a financial manager, salesman, investor or businessman. Thus, some producers are sometimes responsible for subsidizing their own film shooting projects, if they have the double cap of director and producer. But how do we get to become a producer?

The versatility of the audiovisual producer

One of the characteristics of the profession of audiovisual producer (film or television) is its versatility. From the genesis of the project to its public presentation, the producer can intervene on subsidies, but not only. A producer may also have a say in the project team, particularly in the area of image, sound and script .

For a television production, such as a program that would target a broad audience, the producer can manage the project from A to Z to ensure its success (maximum audience). In the cinema industry, a producer can start from scratch: search for a screenwriter or screenplay, then director scene.

Look for the right scenario, make contact

A good producer is a person with an excellent sense of contact. In the entertainment industry, a good address book is paramount to know who to call when. This is true of the future of certain audiovisual productions and their ability to see the light of day.

The producer studies the market before launching. He is well acquainted with the cogs of the film and television industry. He is sometimes a director himself or he is in contact with a director or several. Its aim is to give visibility to audiovisual creation , be it cinema or television productions.

The producer and the production house

A producer does not necessarily work for his own account. He can be affiliated with a production house and take under his direction the project in question. Outside the production house , if the producer does not wish to finance the project alone, he manages all the search for investors.

The producer can also propose a scenario to a production company hoping to get attention. This interest can unlock significant funds that will be more than necessary for the production of the audiovisual work.

Producer: a teamwork

Often, the producer works with co-producers to delegate and allocate tasks. A good team spirit is needed in order to bring a project to life. The co-producers are responsible for casting, choosing actors sometimes see extras.

A team is to be set up: once this step is respected, the producer controls the budget and how it is spent. The producer, with the help of co-producers, ensures all over the line that everything advances in the best way on its project. He often promotes the project himself and anticipates the public release date.

Sometimes, of course, on an individual scale, the director, screenwriter, cameraman and editor is himself his own producer. This means that the producer must start looking for subsidies in the cinema community.

What studies for the production trades?

The production trades make many students dream, especially in the cinema industry. Being a producer is one of those passion trades that do not learn without training.

A film school or a school of Fine Arts can direct you to these professions: you must have a Bachelor’s degree holder. Some schools directly offer the specialty film production . Experience is a great plus in this profession, because with the theory alone and without an address book, it is difficult to make a place as a producer.

Another possible way to access the production professions is the audiovisual BTS (audiovisual management option). You then have a Tray 2 in your pocket. Continuing to the top is highly recommended to gain experience and network. A Bachelor’s degree and a Master’s degree are recommended , especially in techniques and activities of image and sound, or in visual communication management.

Public or private routes

The choice of public courses is quite possible, although major private film schools offer courses: Ecole nationale supérieure de l’image et du sound, Ecole nationale supérieure Louis Lumière , etc.

The courses offered in the schools of Cinema are very sharp and the input selection is strict. You will have to be passionate and arm yourself with patience otherwise. The cinema community is an exciting place whose access is privileged for enthusiasts! By being trained in production trades in these major schools, you become qualified and experienced technicians .

That said, all routes are in fact possible to access the professions of production, especially through trade or management training. It is human talent and the ability to make contact that will make you an excellent producer. Note: the majority of film schools offering training in the production professions are located in Île-de-France.

Salaries and opportunities for production trades

It is complicated to define a salary grid for a producer. WHETHER a project is emerging and is proving to be a national or even international success; it is clear that the financial return will not be the same.

A production assistant can reasonably start with a salary of 2,000 euros gross per month, depending on the productions he works on. The cinema community does not pay in the same way as television. Depending on the sector you are interested in and passionate about, be aware of it.

With experience, the production assistant can become a perfect producer, with a well-documented address book. Over the years, the producer usually seeks to set up his own production house in order to gain independence. This is practical in the production trades because greater editorial freedom is possible.

Grants often support editorial projects suitable for funders. Mounting his production house allows you to afford more room for demand.

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